House Music Discovers Growth of the House Track

House music is a subgenre of modern electronic dance music typically characterized by an upbeat, bass heavy, four-on-the-floor beat and a regular tempo of 130 to 160 beats per minute. The term can apply to an entire genre or to a smaller number of instruments and styles, such as trap, breakcore, IDM, techno and pop. It originated in the late 90s and has been a mainstay in clubs and live music scenes ever since. The music is characterized by an immediate appeal and limitless potential for experimentation, as well as a wide range of influences.

One of the most prominent houses in Chicago is House + Decker, led by DJ Pauly D. Since its founding in 1997, the warehouse club, located at 45th and Ontario, has served up a steady diet of breakcore, chill wave, new age, nu-jazz and classic house music. Most DJs who work here have also mastered the turntable, although a few have never held a turntables themselves. A steady line of dancers, musicians and technicians serve the crowd each weekend, and the club boasts a reputation for booking legendary DJs.

Learn more at https://www.knoziz.com

While it might be easy to classify House + Decker as just another warehouse club, the label’s progression and development have marked it as one of the city’s leading electronic music destinations. Its first few months were largely dedicated to supporting a single location, but later that year it opened a second location at North City Plaza. A year later it moved to its current location at Humboldt. In addition to a second location, the warehouse club has also launched a separate department at the upscale North City Club in Chicago. Apart from a regular rotation of talent like DJs and live music acts, the department boasts Chicago-based DJs and special events like private parties and holiday parties. While the warehouse is primarily a warehouse, house tends to be a more fluid concept, with the DJ taking charge of the dance floor and improvising between sets, playing a selection of tracks from his CD collection or other sources.

Though the term «house» and «dance music» might seem synonymous, the genres do take their influences from different regions of the United States. DJs who work in the warehouse setting are from all over the United States, though most originate from the southern half of the country. DJs who play club parties tend to have roots in the Midwest, specifically in Cleveland, Ohio, and New York City. No matter where a DJ draws his musical influences, the end result is always a sound that originates from the state of Illinois.

The origins of house music sound aren’t hard to pinpoint. As the name suggests, it was born in and around the New York City area. «Baby Listen» is often attributed to disco and drum machines, featuring deep basslines and a general sense of abandon and freedom. «Basscon» is often compared to a jungle in that regard, as it contains similar sounds but is played with an additional sense of energy thanks to the heavy drum beats.

Chicago also has a large number of DJs who come from a DJ roots filled with rock and roll, hip-hop and techno. These types of DJs work in the warehouse and clubs, using a wide range of equipment and techniques to create a particular kind of electronic dance music that can’t be found anywhere else. It has a unique sound that has been uniquely shaped by DJ’s who are from different parts of the world. The basslines on «Basscon» are driven by a deep sense of «rave» and «bounce». «Tomax», another Chicago-based DJ, shouts over top of drum machine basslines on his albums. There are other DJs out there who work in the warehouse and clubs who mix modern electronic dance music with vintage sounds from the past, creating new wave.

With house music slowly growing in popularity, new recordings from around the world are hitting stores across North America and Europe every week. Even some well-known DJs have jumped on the bandwagon, producing their own recordings to tap into this ever-growing trend. As more people discover this exciting genre, the quality of music has improved, bringing more talented producers out into the open. This is great for everyone involved, because now, anyone can make house music from the comfort of their home.

The rise of the house track is not a new occurrence. DJ’s from the past like DJ Ecstasy, John Butler and Cut Chemist have all come up with their own versions. But what makes today’s production techniques so different is the fact that it is often produced digitally, at least in the beginning stages. In other words, the artists and producers don’t have to create their tracks on vinyl. The fact that they can listen to, and learn from the best of what is available, is an advantage as well.